NEW YORK, NY – Chelsea's Agora Gallery will highlight the first work of Alina Fedorenko in Chelsea International Photography Competition . The display opens January 27, 2018 and goes through February 7, 2018 with an opening gathering on Thursday, February 1 from 6-8 pm.
Regularly depicting families, men and ladies, youthful and old, living in troublesome natural conditions in India, the photos of Alina Fedorenko reveal a wonderful universe of mazes and limited back roads.
What recognizes Fedorenko's pictures from those of other people who work in and around the method of narrative authenticity is the way she enables an extravagant hue to rise up out of her picked settings and topic. Utilizing representation as her essential vehicle, she catch the closeness of regular day to day existence in photos that edge the significance of familial and mutual esteems.
Presentation Dates: January 27 - February 7, 2018
Gathering: Thursday, February 1, 2018 6-8 PM
Exhibition Hours: Tues-Sat 11:00am – 6:00pm
Exhibition Location: 530 West 25th Street, New York, NY
Occasion URL: https://www.agora-gallery.com/artistpage/Alina_Fedorenko.aspx
Included Artists:
Andres Marcolla | Eduard Korniyenko | David Bartlett | Misha De-Stroyev | Alain Licari | Niki Polyocan | Steve Sumpton | Loïc Vendrame | ANTONIO PRIVITERA | Anca Moanta | Jeremy Damato | Gustavo Mittelmann | Eli Matityahu | Vincent Chahley | Artur Golacki | SIDNEY COSTA GASPAR | HaleLee Seoyeon | Laura Pannack | Steffen Tuck | Cecilia Manzanares Vargas | Stephanus Meyer | Michela Carmazzi | Alina Fedorenko | Ivan Pushkin | Jacob Wallwork | Kévin Galop | Clay Jordan |Tibor Kércz
About the Exhibition
The Chelsea International Photography Competition
The Chelsea International Photography Competition display includes the assorted works of 28 expert and beginner picture takers. The takes a shot at see were chosen by a recognized board of members of the jury and pass on the bewildering broadness and worldwide nature of the photographic medium. Through expressive representations, still lifes, and theoretical works, the presentation passes on an extraordinary viewpoint on the convention of photography and how the medium passes on thoughts, makes fictions, or catches states of mind.
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