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Friday, February 9, 2018

Kévin Galop: Emotion, Movement, and Energy

NEW YORK, NY – Chelsea's Agora Gallery will highlight the first work of Kévin Galop in Chelsea International Photography Competition . The presentation opens January 27, 2018 and goes through February 7, 2018 with an opening gathering on Thursday, February 1 from 6-8 pm.
Road picture taker Kévin Galop slyly investigates the subtleties of human development and energies. Enlivened by music, film contemplates, and the regular day to day existences of his encompassing society, Kévin proudly deifies crude feelings, signals, and cooperations through his perspective. Ladies yawning in workmanship galleries, companions grasping amid political dissents, sweat secured men at arouses tossing their heads back in happiness are altogether rendered with high complexity and a depiction like creation. The craftsman as of now lives in Paris, France.
Presentation Dates: January 27 - February 7, 2018
Gathering: Thursday, February 1, 2018 6-8 PM
Exhibition Hours: Tues-Sat 11:00am – 6:00pm
Exhibition Location: 530 West 25th Street, New York, NY
Occasion URL: https://www.agora-gallery.com/artistpage/K%C3%A9vin_Galop.aspx
Included Artists:
Andres Marcolla | Eduard Korniyenko | David Bartlett | Misha De-Stroyev | Alain Licari | Niki Polyocan | Steve Sumpton | Loïc Vendrame | ANTONIO PRIVITERA | Anca Moanta | Jeremy Damato | Gustavo Mittelmann | Eli Matityahu | Vincent Chahley | Artur Golacki | SIDNEY COSTA GASPAR | HaleLee Seoyeon | Laura Pannack | Steffen Tuck | Cecilia Manzanares Vargas | Stephanus Meyer | Michela Carmazzi | Alina Fedorenko | Ivan Pushkin | Jacob Wallwork | Kévin Galop | Clay Jordan |Tibor Kércz
About the Exhibition
The Chelsea International Photography Competition
The Chelsea International Photography Competition presentation includes the differing works of 28 expert and beginner picture takers. The deals with see were chosen by a recognized board of legal hearers and pass on the astounding broadness and worldwide nature of the photographic medium. Through expressive representations, still lifes, and theoretical works, the presentation passes on a special viewpoint on the convention of photography and how the medium passes on thoughts, makes fictions, or catches demeanors.

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